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Kafir Janan by Muhammad Gul Mansoor

    Kafir Janan
    Book Name Kafir Janan
    AuthorMuhammad Gul Mansoor
    Publish Year
    PublisherNA
    Language Pashto
    Genre Poetry
    ISBN NA
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    Comprehensive Overview: Kafir Janan by Muhammad Gul Mansoor

    Kafir Janan is a contemporary collection of Pashto poetry that captures the cultural, emotional, and social realities of the Pashtun diaspora. Published in 2020, the book has gained notable traction within Pashto literary circles, particularly among digital readers. It stands out not only for its lyrical merit but also because its author, Muhammad Gul Mansoor, is a well-known cultural figure who bridges the gap between written literature and oral musical performance.


    About the Author: Muhammad Gul Mansoor

    To understand the depth of Kafir Janan, one must look at the unique background of its creator. Muhammad Gul Mansoor is celebrated in the Pashto-speaking regions as both a gifted poet and a deeply moving singer. In Pashtun culture, poetry and music are inextricably linked; historic poets have always seen their work popularized through song. Mansoor continues this rich tradition by performing his own verses.

    Described as possessing a gentle, empathetic nature, Mansoor’s real-world experiences heavily dictate his creative output. Before achieving widespread recognition, he spent several years living and working in Dubai. This period of expatriate life profoundly shaped his worldview, transforming him from a local writer into a voice for the millions of Pashtuns living away from their homeland.


    Core Themes and Literary Focus

    The emotional core of Kafir Janan revolves around several interconnected themes that resonate deeply with the historical and modern Pashtun experience.

    1. The Phenomenon of Musafaro (The Diaspora Experience)

    The most prominent theme in the collection is the concept of Musafari—a Pashto term that denotes the state of being a traveler, exile, or economic migrant. Because Mansoor himself lived as a migrant worker in the United Arab Emirates, his poetry serves as a raw, authentic diary of the diaspora.

    His verses explore:

    • The Pain of Separation: The psychological toll of leaving behind parents, spouses, and children to secure financial stability.

    • Cultural Isolation: The feeling of alienation experienced in rapidly modernizing, foreign metropolitan landscapes like Dubai, contrasted against the rural, communal lifestyle of the Pashtun homelands.

    • The Burden of Breadwinning: The sacrifice of one's youth and comfort for the economic survival of the family back home.

    2. Romanticism and the Metaphor of the "Janan"

    The title Kafir Janan translates idiomatically to a "cruel, unyielding, or beautiful beloved." In Pashto Sufi and romantic traditions, the term Kafir (literally meaning infidel or unbeliever) is often used poetically to describe a beloved whose beauty or indifference tortures the lover's heart. Mansoor utilizes this classic trope to delve into romantic longing, heartbreak, and the agonizing beauty of unrequited love.

    3. Nostalgia and Homeland (Watan)

    Running parallel to the theme of migration is an intense nostalgia (Yad) for the homeland. Mansoor’s imagery frequently evokes the natural beauty, rugged terrains, and social customs of the Khyber Pakhtunkhwa region, creating a stark contrast with the sterile environments of foreign labor camps and cities.


    Style, Language, and Audience Appeal

    Mansoor’s poetic style is characterized by its accessibility and emotional clarity. While some literary poetry relies on dense, archaic vocabulary, Kafir Janan is written in the contemporary vernacular of the people.

    • Musical Rhythm: Because Mansoor is a singer, his poetry possesses an inherent cadence and rhythmic structure (Behr) that makes it perfectly suited for musical composition. The verses flow seamlessly, making them easy to memorize and recite.

    • Universal Accessibility: The book cuts across socioeconomic and generational divides. It is equally appreciated by formally educated literary critics and everyday working-class individuals who find their own life struggles mirrored in his words.


    Digital Availability and Cultural Preservation

    In an era where traditional print publishing faces logistical challenges in regional languages, digital platforms have become vital for cultural preservation. The hosting of Kafir Janan on digital repositories like the Peshawar Library ensures that Pashtun readers globally—from Pakistan and Afghanistan to the Gulf States, Europe, and North America—have instant, free access to modern literature. This digital footprint plays a crucial role in keeping the regional language alive and relevant for younger, tech-savvy generations growing up outside their native land.


    Copyright Note: Peshawar Library is dedicated to keeping the work of Pashto poets, writers, and artists alive for future generations. If any author or publisher has a copyright concern regarding this file, please reach out via our Contact Us page for immediate removal.

Da Thor Orbal Thoro Kamso Khabarey by Abdullah Jan Maghmoom

    Da Thor Orbal Thoro Kamso Khabarey
    Book Name Da Thor Orbal Thoro Kamso Khabarey
    AuthorAbdullah Jan Maghmoom
    Publish Year
    PublisherNA
    Language Pashto
    Genre Poetry
    ISBN NA
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    About the Collection

    "Da Thor Orbal Thoro Kamso Khabarey" is a profound collection of Pashto poetry written by the legendary broadcaster and writer, Abdullah Jan Maghmoom. The book serves as a beautiful reflection of Pashto culture, literature, and art, capturing the emotional and societal nuances of the region through rhythmic verse.


    About the Author: Abdullah Jan Maghmoom

    To truly appreciate this book, one must understand the iconic figure behind it. Abdullah Jan Maghmoom had a monumental impact on Pashto media and culture:

    • Early Life: Born in 1928 in the village of Darmangi in Khyber Pakhtunkhwa (KPK), Pakistan, Maghmoom was raised in a deeply religious and highly educated family. His father was a well-known Islamic scholar, a Hafiz of the Quran, and a religious teacher.

    • A Historic Voice: On August 14, 1947, it was Abdullah Jan Maghmoom who had the distinct, historic honor of announcing Pakistan's independence from the British in the Pashto language.

    • The "Oprah Winfrey" of Radio Pakistan: After high school, he joined Radio Pakistan in Peshawar. His career blossomed as a scriptwriter, playwright, and broadcaster. He revolutionized the broadcasting style of the era, introducing a warm, engaging format that resonated across all demographics—men, women, youth, and elders alike.

    • The Legacy of Hujra: He became a household name as the host of the daily talk show Hujra, performing under the beloved character name Penda Khan. This iconic radio program was so wildly popular that it ran every single day for 31 years, cementing Maghmoom's legacy as one of the most influential media personalities in the history of the region.


    Note for Readers: If you are looking to read his poetic work, a digital copy is hosted by the Peshawar Library as part of their initiative to keep the work of classic Pashto poets, artists, and cultural icons alive for future generations. You can access the download link directly on their book page.


    Copyright Note: Peshawar Library is dedicated to keeping the work of Pashto poets, writers, and artists alive for future generations. If any author or publisher has a copyright concern regarding this file, please reach out via our Contact Us page for immediate removal.

     

Da Khatir Kulyat a Collection by M. Israr Atal

    Da Khatir Kulyat
    Book Name Da Khatir Kulyat
    AuthorKhatir Afridi
    Publish Year
    PublisherSaqib Publishers
    Language Pashto
    Genre Poetry
    ISBN NA
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    Executive Summary

    Da Khatir Kulyat is a definitive, posthumous collection of the complete poetic works (ghazals) of Khatir Afridi, one of the most beloved and enduring voices in modern Pashto literature. This particular edition, published in 2019 by Saqib Publishers, features a meticulous selection and compilation by the prominent Pashto poet and scholar, Muhammad Israr Atal.


    About the Author: Khatir Afridi

    To truly appreciate this collection, one must understand the bittersweet life of its creator. Born Misree Khan in the Zakha Khel tribe of the Saddu Khel village (Khyber Agency, Pakistan), Khatir lived a remarkably modest life.

    • Profession: He worked as a gardener at a local high school.

    • Education: He had no formal academic background, making his deep, innate grasp of poetic rhythm, metaphors, and linguistics even more extraordinary.

    • Tragic End: Khatir passed away at the young age of 39. Because he did not compile his own work during his lifetime, his legacy was preserved by his son and cousin, who gathered his scattered verses into an initial volume.


    Core Themes & Literary Style

    1. Master of the Pashto Ghazal

    Khatir Afridi is widely regarded as a master of the Ghazal format. His poetry deeply resonates with the masses because it avoids overly dense, academic jargon. Instead, it relies on the pure, colloquial, and heartfelt Pashto spoken in the tribal regions.

    2. The Pain of Separation and Love (Hajr aw Maza)

    Like traditional Sufi and romantic Pashto poets, Khatir’s verses heavily dwell on the themes of unrequited love, longing, and the pain of separation. Because his own life was cut short, a profound undertone of melancholy and existential grief ($غم$) flows through almost every poem.

    3. Cultural Authenticity

    His imagery is deeply rooted in the landscape and culture of the Khyber region. He uses the metaphors of the rugged mountains, local flowers, and traditional tribal values to express universal human emotions.


    About this Edition (Selected by M. Israr Atal)

    What makes this specific compilation stand out is the curation by Muhammad Israr Atal. A great Pashto poet in his own right, Atal brings an academic and artistic eye to the text.

    • Structure: The book cleanly organizes Khatir's extensive catalog, making it accessible for both casual readers and literary researchers.

    • Preservation: It protects the raw, emotional weight of Khatir's original dialect while formatting it elegantly for modern publication standards.


    Final Verdict

    Rating: 4.5 / 5

    Da Khatir Kulyat is an absolute must-read for anyone looking to understand the soul of modern Pashto poetry. It stands as a powerful testament to the fact that true poetry does not come from high academic degrees, but from deep human experience and raw talent. Whether you are a student of Pashto literature or someone who simply enjoys emotional depth in verse, this collection deserves a permanent spot on your bookshelf.


    Note: For those looking to read the text digitally, a free PDF version can be accessed directly through the Peshawar Library.


    Copyright Note: Peshawar Library is dedicated to keeping the work of Pashto poets, writers, and artists alive for future generations. If any author or publisher has a copyright concern regarding this file, please reach out via our Contact Us page for immediate removal.

Speen Shair by Matiullah Turab Pdf Free

    Speen Shair
    Book Name Speen Shair
    AuthorMatiullah Turab
    Publish Year
    PublisherAbid Printers
    Language Pashto
    Genre Poetry
    ISBN NA
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    Book Overview: Speen Shair (سپین شعر)

    Introduction

    Speen Shair (which translates from Pashto as "White Verse" or "Pure Poetry") is a highly acclaimed collection of Pashto poetry authored by the contemporary Afghan poet Matiullah Turab. Published in 2019 by Abid Printers, this book represents a powerful voice in modern Pashto literature. It captures the complex socio-political realities, cultural pride, and emotional struggles of the Pashtun people living across the Durand Line, particularly in Afghanistan and the Khyber Pakhtunkhwa (KPK) region of Pakistan.

    Through this collection, Turab establishes himself not just as a writer, but as a cultural mirror reflecting the pain, resilience, and unyielding spirit of his homeland.


    About the Author: Matiullah Turab

    To truly understand Speen Shair, one must look at the unique background of its creator. Matiullah Turab is not an academic or a traditional institutional poet; he is a man of the working class. Raised in the Nangarhar Province of Afghanistan, Turab famously works as a car body maker (a panel beater/blacksmith).

    This working-class reality heavily influences his poetic voice. His hands handle iron and fire by day, and his mind crafts fiery, raw poetry by night. He writes without the self-censorship often found in elite literary circles, making his work highly relatable to the common people. Turab’s poetry is widely celebrated in both Afghanistan and Pakistan's Pashto-speaking areas because it gives a passionate voice to the marginalized, the war-weary, and the politically disillusioned.


    Key Themes and Literary Style

    1. Anti-War and Social Realism

    The central pillar of Speen Shair is its raw, unvarnished commentary on war and conflict. Having lived through decades of turmoil in Afghanistan, Turab’s ghazals (traditional poetic forms) strip away the romanticism often associated with heroism and martyrdom in conflict. Instead, he focuses on the devastating human cost:

    • The grief of mothers who have lost their children.

    • The destruction of ancestral lands and villages.

    • The exploitation of ordinary citizens by powerful political factions.

    2. Resistance and Political Critique

    Turab is fiercely critical of both domestic political corruption and foreign intervention. In Speen Shair, he frequently targets corrupt leaders, religious hypocrisy, and the proxy wars that have plagued his region. His verse is categorized as resistance literature (Da Muzahimat Shairay); it challenges the status quo and calls out the betrayal of the common Pashtun by those in power.

    3. Cultural Identity and Honor (Pashtunwali)

    While his poetry deals heavily with grief, it is equally infused with a deep sense of cultural pride. He utilizes traditional motifs of Pashtunwali (the ethical code of the Pashtuns), emphasizing honor, hospitality, bravery, and a deep, spiritual connection to the soil. His poetry serves as an archive of a culture fighting to preserve its identity amidst geopolitical chaos.

    4. The Craft: Form and Language

    Though the themes of Speen Shair are heavy and revolutionary, Turab predominantly uses the traditional ghazal and nazam formats.

    • Diction: He rejects over-complicated, archaic academic vocabulary in favor of the colloquial, vivid Pashto spoken on the streets and in the villages of Nangarhar.

    • Imagery: His metaphors are often drawn from his daily life and surroundings—weapons, blood, soil, iron, hammers, broken structures, and wild landscapes. This juxtaposition of classical poetic structure with gritty, modern, and industrial imagery gives his work a distinct, unforgettable edge.


    Cultural Impact and Legacy

    Speen Shair is more than just a book sitting on a library shelf; it is a cultural phenomenon. Long before the collection was officially compiled and published in 2019, videos and audio clips of Matiullah Turab reciting these very poems at Mushairas (poetry gatherings) went viral across social media platforms like YouTube and Facebook.

    His fiery delivery style—often shouting his verses with intense emotion—combined with the profound depth of his written words in Speen Shair, has made him a household name. For Pashto readers, this book acts as a historical and emotional record of the early 21st-century Pashtun experience. It bridges the gap between traditional literature and modern political activism, ensuring Turab's legacy as one of the most vital Pashto literary voices of his generation.

    If you are looking to read or download this poetry collection, you can find digital copies available on platform resources like the Peshawar Library.

    Copyright Note: Peshawar Library is dedicated to keeping the work of Pashto poets, writers, and artists alive for future generations. If any author or publisher has a copyright concern regarding this file, please reach out via our Contact Us page for immediate removal.

Yar Haghasey Sabir Yam by Dr Sahib Shah Sabir

    Yar Haghasey Sabir Yam
    Book Name Yar Haghasey Sabir Yam
    AuthorDr. Sahib Shah Sabir
    Publish Year
    PublisherAbid Printers, Peshawar
    Language Pashto
    Genre Poetry
    ISBN NA
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    Introduction: The Voice of Modern Pashto Resistance and Romance

    In the rich tapestry of Pashto literature, poetry has long served as both a mirror to the soul of the Pashtun people and a weapon against social injustice. Among the modern luminaries who seamlessly blended academic rigor with raw, emotional verses, Dr. Sahib Shah Sabir (1956–2007) stands as a monumental figure. His collection, Yar Haghasey Sabir Yam (translated roughly as "Beloved, I Am Still That Patient/Sabir"), published posthumously in 2020 by Abid Printers in Peshawar, serves as a poignant reminder of his enduring genius.

    Spanning across a life tragically cut short, Dr. Sabir’s work in this volume encapsulates the struggles, heartbreaks, and political consciousness of an era. It is a text that does not merely demand to be read; it demands to be felt.


    About the Author: An Academic Giant with a Poet’s Heart

    To truly appreciate Yar Haghasey Sabir Yam, one must understand the intellectual colossus behind it. Born in 1956 in the Malakand Division of Khyber Pakhtunkhwa, Pakistan, Dr. Sahib Shah Sabir was a man of extraordinary academic achievement. He held three distinct Master’s degrees—in Pashto literature, Urdu literature, and Political Science—culminating in a PhD in literature from the University of Peshawar.

    This multi-disciplinary background heavily influences his poetry. Unlike traditional romanticists, Sabir’s worldview was sharpened by political history and literary criticism. Having already left an indelible mark on the literary landscape with previous masterworks like Khobona (Dreams) and Takal (Struggle), this collection solidifies his status as a bridge between classical Pashto ghazal structures and modern progressive thought.


    Thematic Analysis: Love, Longing, and Socio-Political Awakenings

    The title Yar Haghasey Sabir Yam plays beautifully on the author's own pen name, "Sabir" (meaning patient or resilient). It sets a tone of melancholic endurance. The poetry within this collection can be broadly categorized into three core, interlocking themes:

    1. Romantic Melancholy and Aesthetic Beauty

    At its surface, the collection features deeply moving, heart-touching romantic verses. Sabir masters the art of the Ghazal, utilizing traditional imagery of the beloved, separation, and unrequited devotion. However, his romance is never shallow. There is a cosmic weight to his longing; the absence of the beloved is equated to a broader cultural or existential void.

    2. Political Consciousness and the Pashtun Identity

    Given his academic roots in Political Science, Sabir could never isolate his art from the realities of his homeland. Living through turbulent decades in Khyber Pakhtunkhwa, his poetry frequently touches upon the pain of conflict, the loss of peace in the beautiful valleys of Malakand and Peshawar, and the systemic exploitation of the marginalized. He uses his verses to awake a collective consciousness, urging his people toward intellectual and social enlightenment.

    3. The Philosophy of Resilience (Sabr)

    True to his name, a recurring motif throughout the book is the concept of dignified patience. It is not a passive surrender to fate, but a stubborn, resilient stance against oppression and heartbreak. His verses convey that while the poet may be broken by circumstances, his resolve remains entirely unchanged.


    Literary Style and Linguistic Craftsmanship

    Linguistically, Dr. Sabir’s writing is both accessible to the common Pashto speaker and deeply rewarding for the literary scholar. He avoids overly esoteric vocabulary, opting instead for pure, melodic Pashto rhythms that mirror the oral storytelling traditions of the region.

    His metaphors are vivid and organic—drawing from the rugged landscapes of the north, the flowing rivers, the seasonal blooms, and the harsh realities of dust and poverty. The structural integrity of his ghazals and nazams showcases a poet who has completely synthesized the strict rules of classical meter with the fluid, rule-bending necessities of modern free thought.


    Conclusion: A Living Legacy

    Though Dr. Sahib Shah Sabir passed away on April 3, 2007, publications like Yar Haghasey Sabir Yam ensure that his voice remains entirely immortal. This collection is a mandatory read for anyone seeking to understand the modern Pashto psyche. It captures a unique intersection of romantic vulnerability, academic depth, and socio-political defiance.

    For the modern reader navigating the complexities of identity and displacement in the 21st century, Sabir’s decades-old reflections feel startlingly immediate and profoundly healing. It stands not just as a book of poems, but as a cultural artifact of the Pashtun literary renaissance.

    Copyright Note: Peshawar Library is dedicated to keeping the work of Pashto poets, writers, and artists alive for future generations. If any author or publisher has a copyright concern regarding this file, please reach out via our Contact Us page for immediate removal.

Pashto Poetry Paroney by Rabia Mumtaz

    Haqiqat pa Toqo Toqo ke
    Book Name Paroney
    AuthorRabia Mumtaz
    Publish Year
    PublisherJadoon Press, Peshawar
    Language Pashto
    Genre Poetry
    ISBN NA
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    ✍️ About the Author: Rabia Mumtaz

    Rabia Mumtaz occupies a unique and highly respected space within contemporary Pashto literature. Her path to becoming a recognized poet is deeply intertwined with her personal background and her immediate environment.

    Early Life and Cultural Roots

    Born into a traditional and deeply religious family, Rabia Mumtaz spent her foundational years in Darmangi, a historic village situated along the strategically and culturally significant Warsak Road in Peshawar. Growing up in this environment allowed her to absorb the pure, unadulterated customs, linguistics, and societal values of the Pashtun people. This background heavily influenced her poetic voice, allowing her to write with an authenticity that resonates with both rural and urban Pashtun readers.

    A Literary Partnership: Marriage to Abdullah Jan Maghmoom

    Her connection to the arts was further cemented through her marriage to Abdullah Jan Maghmoom. Maghmoom was a towering intellectual figure in modern Pashto humanities, widely celebrated as an accomplished poet, a critical thinker, and a talented drama artist. Living alongside a creative powerhouse like Maghmoom created a household steeped in literary discourse. While she maintained her own distinct voice, this companionship undoubtedly sharpened her poetic execution and deep appreciation for Pashto folklore and dramatic structures.


    🎨 Themes, Style, and Cultural Impact of Paroney

    The word Paroney itself holds deep cultural symbolism within Pashtun society, often referring to a traditional veil or shawl worn by women, symbolizing modesty, honor, protection, and cultural identity. The poetry within the collection mirrors these profound themes.

    1. Reflection of Pashtunwali (The Pashtun Code)

    Unlike poetry that relies strictly on abstract imagery, Mumtaz’s verses are firmly grounded in the realities of Pashtun life. Her writing serves as a mirror to Pashtunwali—the unwritten ethical code that governs Pashtun culture. Themes of hospitality, honor (Nang), loyalty, and the bittersweet realities of local life flow seamlessly through her stanza structures.

    2. Celebrated Masterpieces

    Within the collection, certain poems have earned standalone praise from literary critics and regional readers alike.

    • "Da khpal kelli kher kurona": This piece captures a deep sense of nostalgia, longing, and reverence for the rustic simplicity and communal harmony of village life. It speaks directly to the diaspora or urbanized Pashtuns who long for their ancestral roots.

    • "Mashran": A poem dedicated to the elders of the community. In Pashtun culture, elders (Mashran) hold a sacred position as decision-makers and keepers of wisdom. Mumtaz pays tribute to their sacrifices and their role in maintaining societal balance.

    3. Sister Work: Spelaney

    To truly appreciate Paroney, one must look at it in tandem with Rabia Mumtaz's other major poetry collection, Spelaney (سپیلنی - meaning wild rue, often used in Pashtun households to ward off the evil eye). Together, Paroney and Spelaney establish Mumtaz as a poet who uses everyday cultural artifacts as metaphors for deeper spiritual, emotional, and societal commentary.


    🏛️ Legacy in Modern Pashto Literature

    The publication of Paroney by Jadoon Press in 2004 arrived during a critical evolutionary phase for modern Pashto poetry. Female voices in Pashto literature have historically faced higher barriers to entry due to conservative societal norms. Rabia Mumtaz successfully navigated these boundaries by framing her artistic expressions within a deeply respectful, culturally conscious, and religiously grounded framework.

    Her work continues to be studied by students of Pashto literature across universities in Khyber Pakhtunkhwa. It stands as a testament to how regional poetry can preserve history, emotions, and local traditions for generations to come.

    Copyright Note: Peshawar Library is dedicated to keeping the work of Pashto poets, writers, and artists alive for future generations. If any author or publisher has a copyright concern regarding this file, please reach out via our Contact Us page for immediate removal.

Kali tha Ma za Pa Khaar Raasha by Karan Khan

    Kali tha ma Za pa Khaar Raasha
    Book Name Kali tha ma Za pa Khaar Raasha
    AuthorKaran Khan
    Publish Year
    PublisherShehbaz Khparandoya
    Language Pashto
    Genre Poetry
    ISBN NA
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    Review: Da Che Pa Jargo de Rawalam Janana

    Kali tha ma Za pa Khaar Raasha is a collection of poetry and songs of the legendary pashto singer Karan Khan, Karan Khan describes his life "I belong to the Swat area. My father was associated with the agriculture. My family was a middle class family. My father was doing struggle and was socializing us in a better way. We were also giving him the positive results and were getting education. So I have completed my masters degree in Pashto. I was also singing songs besides education and became a singer. I have also done labor work to fulfill my financial needs. Now I am associated with media, Radio and TV. Moreover I have also continued my singing besides getting education" Peshawar Library is presenting this book for keeping the work of pashto poets alive. (Note: if publisher or writer has any complain about copy write, just send an email from contact us tab)

Azghi ao Guloona Pashto Poetry Pdf Free

    Azghi ao Guloona
    Book Name Azghi ao Guloona
    AuthorDr.Naeem Ahmad Roghani
    Publish Year
    PublisherNA
    Language Pashto
    Genre Poetry
    ISBN NA
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    Azghi ao Guloona Review:

    Azghi ao Guloona is a collection of Pashto poetry written by Dr. Naeem Ahmad Roghani, Azghi ao Guloona reflects the thoughts and strong belief of the Poet on the decissions of fate or distiny and looks to the world as a mirage and an examination hall. Dr.Naeem Ahmad Roghani belongs to Dir, and is a well educated scholar, poet and a very polite and sensitive person, Indeed he is the poet of New Generation. Azghi ao Guloona or Thorns and Flowers is a vast collection of pashto ghazals containing on different topics, and every topic has its own philosophy. Pashto-speakers have a long  tradition of oral literature, including proverbs, stories, and poems. Written Pashto literature saw a rise in development in the 17th century mostly due to poets like Khushal Khan Khattak (1613–1689), who, along with Rahman Baba (1650–1715), is widely regarded as among the greatest Pashto poets. Both of these poets belonged to the modern day Khyber Pakhtunkhwa region of Pakistan).